Lando Admires His Own Butt And Bulge In Last Shot Novel

According to Amy Ratcliff at, page 41 of the hardcover edition of Last Shot features the following passage:

“Pants: Dark purple with a gold stripe up either side. Pressed and creased sharply down the middle, of course. Subtly flared at the hems over shined and waxed narrow-tip dewback-skin boots, sloping inward and tight toward the top. Tight enough for a bulge and insinuation of an ass; not so tight as to cut off circulation or impede a smooth cavort across the dance floor.”

What wondrous worlds that author Daniel Jose Older takes us to.  It certainly makes for a nice contrast to Han’s adventures in babysitting.

So when are we going to get Leia admiring her own healthy rack spilling over that gold bikini top in the name of equality?  Or would that be sexist and/or misogynist?

But I’m a bit cautious here, because this does read like satire.  If anyone discovers that this is in fact satire and sends me the info, I’ll be happy to update this post.

Then again, those who thought that Hando was purely shipping fantasy, may want to rethink being so certain.


What a crime that nobody else can see Lando’s butt through his capes.

More SJW Propaganda Spews From the Pages Of Han Solo Novel Last Shot

Anthony Breznican at reports in an article entitled, Star Wars: Han and Lando novel Last Shot gets personal and political.

Last Shot also explores topics that touch a nerve in our own galaxy — sometimes using humor, sometimes heart, and sometimes just by making it matter-of-fact.

There’s a new Gungan character who objects to the Jar-Jar Binks-style stereotype. An Ewok hacker who defies the notion that the furry little creatures are primitives. Lando’s Twi’lek lover gives him a lesson in respect and consent. And there’s a human pilot whose gender fluidity is accepted without mention, which underplays the significance of such a character in a Star Wars novel.

Genuine fans don’t want any SJW garbage from our galaxy infecting the Star Wars franchise.  That’s why we try to escape to a galaxy far, far away.  To get the hell away from that trash.

Anthony asked the author Daniel Jose Older some questions in an interview.  Such as this:

Was there anybody in real life, a crime boss or a warlord or somebody, who inspired this guy?

You know what’s really interesting? Just today, late last night, they announced that they’re removing the statue of Marion Sims from Central Park. Marion Sims was called the “father of gynecology,” but also famous for doing really horrific experiments on black enslaved women. He’s a true historical monster that has been lionized and worshiped in modern day culture, right? I think there’s a fascinating dynamic that happens in different forms of oppression, where you have someone that’s committed to healing, supposedly, and also literally just destroying peoples’ bodies because he doesn’t view them as human, right? So right there, history is full of people like that.

Yeah, like Margaret Sanger for instance.

That’s what fantasy does so well. It’s a great way of exploring things that, maybe it is a more difficult conversation to have in real life. But you take it away from our world, and suddenly it actually becomes pretty clear.

Definitely. The other conversation with Fyzen Gor, of course, is about the idea of what it means to come into someone else’s community and demand that they stand up for things without a full understanding of what that might mean. There’s this constant dynamic with Gor, who’s like, “Yes! Droids, rise up around the galaxy!” And he’s doing it by literally trying to control them, right? What kind of liberation involves being controlled by someone else?

Ask your boss, Kathleen Kennedy.

He tells Han, “Don’t hit me with this ‘Meesa, meesa’ talk. Then there’s Preepka, a female Ewok who’s a slicer, the galactic version of a hacker. We’re used to seeing the Ewoks as these primitives, right, and she’s actually pretty tech-savvy. Then there’s Takka Jamoreesa, who you never really specified, I don’t think, but you refer to Takka as “they” and “their,” so I’m guessing non-gender-specific, or …

Yeah, gender non-binary. I don’t think the Star Wars universe really has a term that they employ as far as that goes, except for just to say that Takka’s pronouns are “they” and “their.” They’re gender non-binary, and that’s who they are.

Remember back when the word “binary” in Star Wars referred to two stars in a single system?  Ahh, good times.

I’m guessing that both of these themes are important to you, too. On one hand, Han dealing with being a father, and on the other hand, you explore the broader social or political issues of the galaxy. I assume these are all personal to you?

Well, I’m not a father. I do have an amazing niece and nephew — whose toys I havestepped on in the middle of the night — that I adore. But I thought it was just a really important question to get into the daily life, the really basic detailed drudgery of what it’s like for Han Solo. The hero of the galaxy, this guy who’s known and beloved both within the galaxy. He’s a legend, and it’s very hard to write people that are so gigantic and legendary. I grew up, since I was 3 years old, knowing who Han Solo was and thinking, “He’s the coolest person in the world.” How do you write that and make them feel human?

It’s tough.

To me, the answer to that question is, “Put a 2-year-old in their arms, and maybe have that 2-year-old kick them in the face when they’re trying to sleep.” [Laughs] The very real, basic thing of having a toddler running around, and how annoying it is, and how wonderful it is at the same time. And there’s a galactic incident unfolding. All these things are happening at the same time, which is its own form of crisis and drama and everything else. As long as there’s also some good space shoot-outs and other cool stuff happening, that has a place in Star Wars.

Especially now that day-time soap operas have mostly vanished.

That’s the personal side; tell me about the political side, and imbuing this story with a sense that we go through life, and we have our own identities, but we’re constantly interacting with people who are from other backgrounds. In the galaxy, man, I don’t know if it’s more complicated than it is here on our own planet, but you’ve got so many variations of creature and culture. It seems like a natural for this kind of storytelling. 

Touching on what you mentioned earlier, it’s this idea that with fantasy and science-fiction we have an opportunity to talk about the real world on a very multilayered and nuanced way that, far from getting in the way of the fantasy, actually enhances it deeply. These stories are like having a complex conversation about power as it functions in that world, and that echoes what happens in this world, makes the story better. So whether that means dealing with the power of the Galactic Empire, or the power of being a father and what that involves. That’s when stories get good, when we really dig into those questions and explore them.

When he’s talking about power structures, what he’s actually talking about is the worthless Marxist propaganda that he was fed in college, rather than genuine artistic storytelling.  Remember, the two are mutually exclusive.

One thing has become painfully clear to me though.

Lucasfilm claimed that they firebombed the EU because of Chewbacca’s death, and the desire to see the character in the Sequel Trilogy.  I now believe that to be pure PR hogwash.

I now suspect that they used the “Chewbacca Death” excuse as a pretense to wipe clean the EU, so that the entire mythology could be rewritten through the eyes of SJW retardation.

Because if Chewbacca’s death was really the issue, why not just decanonize those particular books that dealt with Chewbacca’s death?  Why not use a scalpel instead of a bulldozer?  Simple; because they wanted to tear it all down and rebuild it in their own wacko image.


If Lucasfilm can decanonize Chewbacca’s death, then why can’t fans decanonize Han and Luke’s death?

Chuck Wendig’s Morning Meltdown

As to be expected, Chuck Wendig is busying himself blocking anyone that voices an opinion contrary to his own. It’s highly entertaining to read Chuck’s mental meltdown.  He desperately tries to convince himself and others that the more than “6 shitty people” who are responding to his tweets are nothing more than trolls, sock puppets, and bots, in order to maintain his delusion that the backlash doesn’t exist.  That’s right, they’re still fantasizing about bots.  Enjoy!


Chuck discovers that there’s more than six shitty people out there.

I’m sure that Chuck’s hilarious hysterics will continue throughout the day.

Happy Monday, Kathleen Kennedy!

Chuck Wendig Mindlessly Parrots John Boyega

Previously, John Boyega was quoted as saying that the backlash is:

“…one tweet from a guy with three followers and then a lot of people react to it.”

Well, it seems that this particular bit of silly rhetoric is now making the rounds among other Lucasfilm representatives.

You may know Chuck Wendig as the author of the Star Wars novel Aftermath, which was celebrated for showcasing a gay character, and not known for much of anything else.  Recently, Chuck Wendig decided to tweet his own variation of the commonly parroted “tiny vocal minority” rhetoric:

What’s actually hilarious and sad, is that an adult like Chuck Wendig isn’t following the news of his own industry.

I’ve discussed how the $1.3 Billion dollar figure isn’t at all what it seems.  World Class Bullshitters confirmed this with their own independent commentary.  I’ve discussed the total failure of The Last Jedi in China.  I’ve discussed the waning toy and merchandise sales, as have others.  All of these discussions contain links to source articles from which the information comes, articles which Chuck Wendig apparently hasn’t read.


Too busy chopping bugs out of his beard to read news articles.

Backlashers inevitably responded to Chuck Wendig’s tweet, and Chuck reacted:

Now, Chuck clearly knew that his original tweet would elicit a reaction.  How could he not?  So what’s equally clear, is that he had these two sentences pre-fabricated and ready to post the moment that he received six reactions.  He probably thought it would make him appear prescient and clever.  Ironic indeed.

Chuck is the guy who once said, “A small group of characters can change the entire galaxy.  You don’t need this colossal movement to change everything.  Sometimes you just need you and a couple of your scoundrels, friends, and wookies.”  Chuck apparently no longer believes this.

Chuck waffles though between claiming that there is no backlash, and subtly suggesting that Backlashers are bigoted:

We’ve all heard the age old question, “If a tree falls in a forest and nobody is around to hear it, does it make a sound?”  Likewise, if Backlashers don’t exist, then how can they be bigoted?  Chuck makes very little coherent sense.

But Chuck does follow the predetermined SJW behavior, by pretending that the backlash doesn’t exist.  The next phase will be to ignore the backlash, in a transparent attempt to depict himself as above it all.  When that doesn’t succeed, what follows will be seething, frothing, frustrated SJW barking involving an unintelligible overuse of  adjectives.

The great thing about this, is that further agitation of the backlash will serve only to amplify the scope of any potential boycott.  So in that regard Chuck is to be thanked for his essential efforts here.

It will be interesting to see if Lucasfilm pressures Chuck to delete his tweets.

Thanks to Geeks and Gamers for catching these tweets before they vanish.



Jeremy from Geeks and Gamers posts an update in the comments section of his video:

Well yes.  It’s what Chuck Wendig needs to do in order to maintain his delusion that you don’t exist.